Even if Breaking Dawn becomes two movies, that's still four directors for five movies in a single narrative. In this day and age, where Sam Raimi starts and finishes his personal Spider-Man trilogy, and Chris Nolan seems set to close out his Batman epic, it is a little unusual for the cast and narrative to maintain such consistency while the director's chair is a revolving door.
It is one thing when an initial helmer is shown the door or leaves the series after two installments for whatever reason Batman Forever , X-Men: The Last Stand , Chronicles of Narnia: Voyage of the Dawn Trader ,or when the studio wants to revive a finished series with fresh blood see Rob Marshall taking over the reins from Gore Verbinski in the new Pirates of the Caribbean picture but it is quite interesting that Summit is so determined not to maintain the slightest bit of directorial consistency with a series that none the less maintains a rigorous narrative continuity.
For final thoughts and which surprising series follows the same pattern of shifting filmmakers, read the rest of this article at Mendelson's Memos. News U. Politics Joe Biden Congress Extremism. Special Projects Highline. Speaking with the Daily Beast 10 years after "Twilight" premiered, Hardwicke discussed how the movie wasn't expected to be successful in any way. She was originally given the job because of this fact, so once the franchise got popular and started making money, Hardwicke was left behind and replaced with white male directors moving forward, which was why she didn't direct any more "Twilight" films.
While there are obviously fans of "New Moon" and the later films, it's safe to say that they are missing the unique style that Hardwicke brought to "Twilight" with the blue tones. Many longtime fans of the series have noticed this detail, and even considered what "Twilight" would look like without it. Here's a hint — it's weird. Earlier this year, a user on Twitter , twilightreborn, posted a behind the scenes picture of the famous baseball scene from the first movie without the blue filter.
She told the publication that: "I wanted to shoot in Forks, the setting of the book, because I liked that authenticity, which was prohibitive. We did everything we could to make it seem like Forks, and Portland isn't that far away. I wanted to shoot on the real La Push beach in Oregon, which is gorgeous, but we shot on another beautiful beach in Oregon. Other than that I really got to do everything I wanted to do.
Hardwicke states that she is proud of the film, but while it showed the women could lead action movies, she was disappointed that a female director wasn't given a big blockbuster with a female lead until Patty Jenkins directed Wonder Woman nine years later. Why didn't they seek out other women?
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